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Bond Songs Ranking

Bond Songs Ranking Inhaltsverzeichnis

Ranking: ALLE Bond-Songs – von grauenhaft bis hammergut. Wir sagen euch, welches die besten – und die schlechtesten. Weitere nominierte Titelsongs folgten, aber erst Skyfall aus dem Jahr wurde mit dem Preis ausgezeichnet. Gesondert aufgeführt sind die Titellieder der Filme​. James-Bond: Von Hörsturz bis Ohrwurm – die Top 30 der Songs haben uns letztendlich aber für einen Platz in der Mitte des Rankings. Sam Smith dürfte es mit seinem Song zu "Spectre" schwer haben, die Top10 der besten Bond-Songs zu knacken, die Konkurrenz ist einfach zu groß. CINEMA. Keine schlechtes Ranking und ziemlich nah am allgemeinen Konsens (wenn man mal andere Rankings mit diesem vergleicht). Ein.

Bond Songs Ranking

James-Bond: Von Hörsturz bis Ohrwurm – die Top 30 der Songs haben uns letztendlich aber für einen Platz in der Mitte des Rankings. Ranking: ALLE Bond-Songs – von grauenhaft bis hammergut. Wir sagen euch, welches die besten – und die schlechtesten. Ranking: Die besten und die schlechtesten James-Bond-Songs. So viel können wir verraten: Madonna liegt in dieser Liste ziemlich weit. Bond Songs Ranking

Bond Songs Ranking Video

Ranking 007 - Top 10 Bond Title Songs Auch "Skyfall" ist für mich zu weit hinten. Live and Let Die. Monty NormanJohn Barry. Katja Ebstein. NumeIch Das Lied selbst ist uninteressant, aber eines der more info Stücke, die Cornell ausserhalb von Soundgarden veröffentlichte. Mir gefällt va die Orchestrierung von Hans Zimmer. Eine Titelsequenz, die wiedermal die klassischen Girls und Guns und G Neuste zuerst Neuste zuerst Älteste zuerst Beliebteste zuerst Kontroverseste zuerst.

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Sci fi. Best films. By genre. Brit pop. Britney Spears tour. Radiohead is such a slam-dunk choice for a Bond theme song that History will not look kindly on that choice, but Radiohead's exclusion makes their dejected theme that much more powerful.

Do your best not to get lost in the dour piano, the enveloping strings, and Thom Yorke's pristine falsetto. Perhaps it was too interesting to be a Bond song!

That opening string motif is just so of-the-times. Coupled with strummed acoustic guitar and an electric guitar playing that same opening string melody, Nancy Sinatra's Bond song takes you right back to the Swinging '60s.

This captures less , the action star and more , the man of mystery. Plucked harp? Sign me up. Like most of Wings' best stuff, it's essentially 3 songs in one, which helps to cover the spectrum of Bond theme moods: sentimental, frenetic, and charming.

It may be the best song on this list, but it's not the best Bond theme song because it has an entire life outside of the film. It's a top-notch McCartney song that just so happened to be in a Bond film, not the other way around.

When Bond songs are explicitly about the character of James Bond, they can tend to fall flat lyrically.

Like, we get it, we're about to see a movie about James Bond, we're all onboard. But when a Bond theme is more about the capital-V Vibe that Bond evokes, it has a way higher success rate.

Adele is our generation's most gifted torch singer, and she makes almost too much sense as a Bond chanteuse.

Despite her being a super on-the-nose selection, she pulls it off and delivers not only an all-time great Bond theme, but one of the best Adele songs in a catalog crowded with great songs.

This sets the template for great Bond songs, and holds up exceedingly well as a cinematic masterwork.

Bassey's the queen of Bond for a reason, and this is the standout among her oeuvre. United States. Type keyword s to search.

Today's Top Stories. How Safe is the Bathroom at a Bar? Pod Yoga Is Now a Thing. Getty Images Getty Images. Madonna — "Die Another Day".

A-ha — "The Living Daylights". Tina Turner — "GoldenEye". Duran Duran — "A View to a Kill". Tom Jones — "Thunderball".

Rita Coolidge — "All Time High". Sam Smith — "Writing's on the Wall". Shirley Bassey — "Moonraker".

Sheryl Crow — "Tomorrow Never Dies". Gladys Knight — "License to Kill". Billie Eilish — "No Time to Die".

Shirley Bassey — "Goldfinger". Radiohead — "Spectre". Adele — "Skyfall". Shirley Bassey — "Diamonds Are Forever". This content is created and maintained by a third party, and imported onto this page to help users provide their email addresses.

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However, composer Barry wasn't a fan, later saying: "It's the one I hate most Disclaimer: We have a strange soft spot for this bonkers Bond theme from the Queen of Pop, but While it was amazing to secure one of the biggest popstars of all time, the choice to go down the electropop route with lines such as "Sigmund Freud: analyse this", was just an odd way to go for Bond.

Now, this is a beautiful ballad by Sam Smith, but it just doesn't quite sound like a Bond theme. It's got all the moody strings and all, but it doesn't really go anywhere.

Sam's voice is hauntingly brilliant as ever, though. It was however the first Bond theme to finally go to number one in the UK. An old school take on a Bond theme, it describes the plot of the movie without delving into the innuendo nature of later tunes.

Like 'Nobody Does It Better' before it, this '80s ballad is able to exist as a genuinely great love song in its own right.

Dusty Springfield and Donna Summer were also considered before newcomer Easton was selected, and she remains the only singer to actually appear in the movie's famous intro.

Lyricist Don Black teamed up with composer David Arnold for this Brosnan-starring title track, taking Bond into the late '90s alt-rock era.

Like Sheryl Crow before, it may have been forgotten in comparison to others, but it's one of the hidden gems of the Bond theme oeuvre.

In a rather forgettable Bond outing, this was one of the few shining lights for Craig's second film. It's a bit of a Marmite song, with a pairing that we would never have thought of at the time, but the pounding piano and guitars are so awesome that it works.

KD Lang also recorded a song of the same name written by the movie's composer David Arnold, but this track by Sheryl Crow was chosen instead, with KD's slipped into the end credits.

What do you do after the success of Shirley Bassey's 'Goldfinger'? Get another Welsh powerhouse! While Tom Jones's effort isn't as well remembered as others, we'd argue this is an underrated song that's so much fun and couldn't be more '60s Bond if it tried.

After critics weren't too kind with Lazenby's Bond at the time, the next instalment went back to the drawing board and brought back not only Sean Connery, but Shirley Bassey too.

This is one of the few Bond songs that people otherwise put on regular playlists, meaning it has gone far beyond the scope of James Bond. After critics weren't too kind with Lazenby's Bond at the time, the next instalment went back to the drawing board and brought back not only Sean Connery, but Shirley Bassey. It go here be a little more laid-back than some of the franchise's ballsier outings, but Monro's silky-smooth voice Bond Songs Ranking read article and makes for the perfect accompaniment to Sean Connery's stylish second outing. But visit web page melodrama isn't his lane. This Gladys Knight power ballad has the hallmarks of a good Bond click here, hitting all the right cadences and showing off her see more voice. It might come across as very turn-of-the-millennium now, but even more than two decades later, there's no denying that this one of the best modern Bond themes — no other article source has mixed the dark allure of its classic predecessors with contemporary sounds quite as well as this one. Two words for this Lulu track: hot mess. Da springt jeder Agent freiwillig ins Haifischbecken. Madonna, Mirwais. Sehr gelungen. Link zum Titanic Spiele Kostenlos 1. Saubere Arbeit, Frau Turner, saubere Arbeit! Son Goten Gebt euren Kindern normale Namen! Und marketingtechnisch hörte es sich nach der perfekten Lösung an, den steinalten Roger Moore den Kids näher zu bringen. Ranking: die besten und die continue reading James-Bond-Songs. Adele mit Skyfall: Zu weit Vip Teppich, eher so Rang 5 3. Nicht vergessen dem Zimmer-Service abzubestellen und das Telefon auszuschalten! Wobei ich mich schon frage wie man den neuen mögen kann und Madonna ganz unten platzieren kann.

Bond Songs Ranking Mehr «Spass»

Pech gehabt, aber der Song Bet365 Wiki stark. Dienstag, Chris Cornell. Picker Politik Storys. Barry versuchte später in mehreren Urheberrechtsprozessen, sich Komponistencredits - und damit deutlich höhere Tantiemen - zu erstreiten, scheiterte damit jedoch immer wieder. Einige Bond-Songs wurden große Hits, andere sin erfolgreichsten Singles, und auch im Spotify-Ranking reicht es immerhin für Platz zehn. Einige Bond-Songs wurden große Hits, andere sind heute fast vergessen. Die beliebtesten Titelmelodien der Deutschen hat der. Ranking: Die besten und die schlechtesten James-Bond-Songs. So viel können wir verraten: Madonna liegt in dieser Liste ziemlich weit. Bald läuft "Spectre" in den deutschen Kinos an. Ein guter Grund, die Bond-Songs auf ihre Qualitäten hin abzuklopfen. Alle - und ein paar mehr. Im besten Fall konnten die Titelsongs der Bond-Filme ganze Generationen begeistern und schallen durch den Klang der Geschichte bis heute nach, um uns allen einen wohligen Retro-Schauer über den Rücken zu jagen. Skyfall für mich auf die 1. Nur dass article source nicht zum geplanten Zeitpunkt erscheinen wird, ist bereits klar. Schuld daran sei die andauernde Corona-Pandemie. Kyle C. Mir gefällt va die Orchestrierung von Hans Zimmer. Eron And that's okay! Coupled with strummed acoustic guitar and an electric guitar Thunderstruck that same opening https://audman.co/casino-slots-online-free/beste-spielothek-in-wackerballig-finden.php melody, Nancy Sinatra's Bond song takes you right back to the Swinging '60s. ES Magazine. It's. It's unfortunate, however, that—much like the click it represents—it's not exactly a standout in the franchise. Yeah, I suppose. A swaggering vocal performance?

Bond Songs Ranking Video

James Bond Theme Tunes Ranked Worst To Best

The song was written from the perspective of the film's villain, Elektra King, which was a first for the Bond universe.

Scottish lead singer Shirley Manson was a fan of the Bond franchise before getting the honor of singing the theme.

John Barry once again worked on composing this song, and it was one of the first to focus on a topic aside from Bond himself. Thunderball is considered to have one of the weirdest plots out of a Bond movie, but the song made it one to remember.

The fourth movie in the Bond series also had the highest earnings to date, which was only surpassed in by The Spy Who Loved Me.

There's an urban legend that Tom Jones actually passed out while singing the song's long note. Sam and co-writer Jimmy Napes wrote the song in under a half hour.

The singer ultimately spoke about how difficult the song's high notes were, but that it was worth it because it was an honor to be chosen to do the theme.

Some critics weren't pleased with the song, saying that it sounded too much like Sam's regular music, but he proved them wrong by winning the Best Original Song award at the Academy Awards.

Matt's vocals were only used in the end credits, while an instrumental version of the song by the John Barry Orchestra was used in the opening.

The song sounds like it's from the '60s, with Matt's style of crooning. It quickly drew comparisons to "Goldfinger" both with the tempo and the vocals.

The way this song came to be is probably the funniest James Bond story. When Duran Duran bassist John Taylor had a few cocktails and ran into Bond producer Cubby Broccoli at a party, he asked when a good band would be allowed to sing the theme.

It worked, and the collaboration proved to be fruitful. Duran Duran came up with the lyrics, while John Barry composed the instruments.

The only Bond song to ever feature a duet, "Another Way to Die" is definitely a rock tune, which is a sharp juxtaposition to the ballads that are typical for the films.

The song wasn't received well by critics, as many thought that the singers' voices didn't mix well together.

Plus, neither of them performed it live during press for the movie, which was odd considering how frequently Bond songs get nominated for awards.

The pair filmed the music video in Toronto while Alicia was promoting a movie, and it features seemingly every special effect possible.

Many people are still scratching their heads over the fact that Pierce Brosnan was ever James Bond, and "Soak Up the Sun" singer Sheryl Crow was also an unexpected choice for the Bond theme song in It lost to the same song at the Grammy Awards.

Late rock singer Chris Cornell was picked for the theme song for Daniel Craig's debut as Bond because the films were going in an edgier direction.

When it was released, he said he tried to channel Tom Jones when singing the track. The song is certainly different from many of the others on this list, and many critics appreciated Chris for putting a different spin on a Bond song.

The song was a remix of "Goldfinger," and it was in Timothy Dalton's final movie as Bond. Though it seems a bit cheap to remix a song instead of creating an original, Gladys' vocals did save this song.

Louis's rendition of that song was the final one he recorded before his death. This instrumental version is technically the theme song, and it was the fifth film that John Barry worked on.

This was the third and last song that Shirley sang the Bond song for, and sadly, it was the least popular.

The slow and quiet nature of the song made it more appropriate for light dinner music than for a Bond song.

Thankfully, Shirley had two other shots at having an epic Bond song, and she definitely delivered better final products with the others.

The main theme for Octopussy was very upbeat for a Bond film, which may have been because it was John Barry's return to Bond composition following a tax issue during the For Your Eyes Only film.

This was the first Bond movie music video, but it ended up being the lowest chart performance for a Bond song ever. The sound effects used in the background of the song are, frankly, cheesy, and Lulu shouts some of the lyrics instead of singing them.

Lulu is known for her amazing vocals, and they weren't shown off as effectively as they could have been. The tea was spilled when this Bond song came out as John Barry — who worked on songs for many of the James Bond movies — said that he didn't like working with the Norwegian band at all, and that he found them difficult.

But it lacks the gravitas and drama of the best theme songs. It's way better as an end credits song than an opening credits song.

The sensuality of Sheryl Crow's Bond theme vaults it to the middle-of-the-pack. But Crow is an odd choice as more of a pop singer-songwriter rather than a belter or crooner and it's hard to get past that.

Casino Royale is an excellent Bond film, and the first one featuring Daniel Craig. Perhaps to announce a grittier , the late Chris Cornell was brought things into grunge things up.

It's a polarizing song: extremely true to Cornell's instincts as an artist coupled with Bondian horn blasts, but maybe too Buzz Cuts for diehard Bond-lovers.

I love the ambition of asking Cornell, one of the best rock voices of his generation, to perform a Bond song, even if it didn't result in a home run.

The synthy horns definitely date "License to Kill," which sits on the slow-jammy side of the Bond theme song spectrum.

As much as we think of JB as an elite assassin and secret agent, he's also a bonafide loverman! Shirley Manson singing in a Bond movie?

I'll take it. An entirely serviceable, if not world-conquering entry by the '90s rockers. Billie Eilish scares me and I think she's supposed to.

And while she's enigmatic and talented and probably going to get even bigger than she is right now, the most interesting parts of her debut album were the meshing of her voice and strange, engrossing production.

Asking her to sing a more conventional ballad over an orchestra is a treat in terms of stretching her artistic skill set. However, it sounds more like Billie is constraining herself to Bond World than Bond World is adjusting itself to Billie, which would've probably resulted in a more memorable song.

If you weren't paying attention, you might think Frank Sinatra is crooning this classic. This lush ballad suits Sean Connery's Bond exceptionally well, and effectively transports the listener back to the original era.

Monro's voice is front-and-center, allowing it to really soar over the orchestra serving as a sonic foundation.

This song gets high placement for the simple fact that if you were to tell me, "Hey, Louis Armstrong did a Bond song," my assumption is that it would be very, very bad.

Don't get me wrong—Armstrong is a legend. But dark melodrama isn't his lane. That he doesn't lean into Bond musical tropes and still manages to turnaround a song that works within the franchise while simultaneously being enjoyable in and of itself is an achievement, and a tribute to Armstrong's enduring brilliance.

That voice! One of the most decadent Bond songs—and it's not even Bassey's best Bond song. Bow down. The build-up to the chorus makes me want to pump my fist in the air and crush some air drums.

Yes, it's not as shadowy as the rest of the Bond catalog, but who cares? Radiohead is such a slam-dunk choice for a Bond theme song that History will not look kindly on that choice, but Radiohead's exclusion makes their dejected theme that much more powerful.

Do your best not to get lost in the dour piano, the enveloping strings, and Thom Yorke's pristine falsetto.

Perhaps it was too interesting to be a Bond song! That opening string motif is just so of-the-times. Coupled with strummed acoustic guitar and an electric guitar playing that same opening string melody, Nancy Sinatra's Bond song takes you right back to the Swinging '60s.

This captures less , the action star and more , the man of mystery. Plucked harp? Sign me up. Like most of Wings' best stuff, it's essentially 3 songs in one, which helps to cover the spectrum of Bond theme moods: sentimental, frenetic, and charming.

It may be the best song on this list, but it's not the best Bond theme song because it has an entire life outside of the film.

It's a top-notch McCartney song that just so happened to be in a Bond film, not the other way around. When Bond songs are explicitly about the character of James Bond, they can tend to fall flat lyrically.

Like, we get it, we're about to see a movie about James Bond, we're all onboard. But when a Bond theme is more about the capital-V Vibe that Bond evokes, it has a way higher success rate.

Adele is our generation's most gifted torch singer, and she makes almost too much sense as a Bond chanteuse. Despite her being a super on-the-nose selection, she pulls it off and delivers not only an all-time great Bond theme, but one of the best Adele songs in a catalog crowded with great songs.

This sets the template for great Bond songs, and holds up exceedingly well as a cinematic masterwork. Bassey's the queen of Bond for a reason, and this is the standout among her oeuvre.

United States. Type keyword s to search. Today's Top Stories. How Safe is the Bathroom at a Bar? Pod Yoga Is Now a Thing.

Getty Images Getty Images. Madonna — "Die Another Day". A-ha — "The Living Daylights". Tina Turner — "GoldenEye".

Duran Duran — "A View to a Kill". Tom Jones — "Thunderball". Rita Coolidge — "All Time High". Sam Smith — "Writing's on the Wall".

Shirley Bassey — "Moonraker". Sheryl Crow — "Tomorrow Never Dies". Gladys Knight — "License to Kill". Billie Eilish — "No Time to Die".

Shirley Bassey — "Goldfinger". Radiohead — "Spectre". Adele — "Skyfall".

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