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Nachdem Set, der Gott der Dunkelheit, den Lichtgott Horus gestürzt und sich selbst des Throns bemächtigt hat, droht das ägyptische Reich im Chaos zu versinken. Nur wenige Rebellen leisten noch Widerstand. Einer von ihnen ist Bek, ein gewöhnlicher. Gods of Egypt ist ein Fantasyfilm des Regisseurs Alex Proyas aus dem Jahr mit Gerard Butler, Nikolaj Coster-Waldau und Brenton Thwaites in den. If you are wanting historical accuracy this is not the movie for you but it is lavish and fast paced but it's main hero is an Egyptian "god" who stands eight feet tall. And he raised his voice in weeping; and the Egyptians heard, and the house of And let not your eye regret your stuff; for the good of all the land of Egypt shall. As I said to Pharaoh before, God has made clear to him what he is about to do. Seven years are coming in which there will be great wealth of grain in Egypt; And.
]eremiah explained to the people that Nebuchadnezzar was doing as God desired. the Egyptian temples, just as the prophecy said and the great Egypt fell. And he wept aloud; and the Egyptians and the house of Pharaoh heard. Also regard not your furniture; for the good of all the land of Egypt is yours. And the. Gods of Egypt: Sendetermine · Streams · DVDs · Cast & Crew.
Good Of Egypt VideoAction Movies 2016 - New Viking Movie FuII - Global Act Movie Collection 2016
Good Of Egypt Main navigationGerard Butler. Textversion Drucken nach oben. Sharifa Robyn Nevin. Wolverine: Weg des Kriegers. Gretel und Hänsel. Marvel's The Avengers 2: Age of Ultron. Shipping weight:. Juli im Kino! Set, der inzwischen auch die Flügel seiner ehemaligen Frau Nephthys abgeschnitten hat, lässt sich diese Flügel, Thoths Gehirn, das Herz consider, Poker Filme think Osiris und das zweite Auge des Horus see more und wird somit, zusammen mit Ras Speer, zu einer Art Supergott, der alle Fähigkeiten der besiegten Götter besitzt. Textversion Drucken nach oben. Hauptseite Themenportale Zufälliger Artikel. Technischer Stab. Heliopolis survivor Marisa Lamonica. Survivor Karim Zreika. Gods of Egypt Trailer ab 12 Jahren. Anmelden via Facebook. Batman v Superman: Dawn of Justice. Ausführender Produzent Michael Paseornek. Set lässt Apophis auf die Erde los. Eltern, Kinder u. The last ones have very good and covering characteristics and were used by the Romans and Egyptians. Assassin's Creed.
Photo Gallery. Trailers and Videos. Crazy Credits. Alternate Versions. Rate This. Mortal hero Bek teams with the god Horus in an alliance against Set, the merciless god of darkness, who has usurped Egypt's throne, plunging the once peaceful and prosperous empire into chaos and conflict.
Director: Alex Proyas. Writers: Matt Sazama , Burk Sharpless. Added to Watchlist. From metacritic. Woke cinema 4. Medieval movies. Share this Rating Title: Gods of Egypt 5.
Use the HTML below. You must be a registered user to use the IMDb rating plugin. Edit Cast Cast overview, first billed only: Brenton Thwaites Bek John Samaha Vendor Courtney Eaton Zaya Nikolaj Coster-Waldau Horus Paula Arundell First Young Maidservant Emily Wheaton Second Younger Maidservant Elodie Yung Hathor Rachael Blake Isis Bryan Brown Osiris Michael-Anthony Taylor Priest Emma Booth Nephthys Felix Williamson Nobleman Chadwick Boseman Thoth Gerard Butler Learn more More Like This.
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Warcraft London Has Fallen Action Thriller. Edit Storyline Set, the merciless god of darkness, has taken over the throne of Egypt and plunged the once peaceful and prosperous empire into chaos and conflict.
Edit Did You Know? When the camera is looking at her two of her fingers are on Horus' ear. But when the camera is looking at Horus, all of her fingers are below his ear.
This happens repeatedly. Zaya is killed, and Bek takes her body to Horus and gives him the eye, promising to find the other if he brings Zaya back from the dead.
They visit the divine vessel of Horus' grandfather Ra. Set asks Hathor to take him to the underworld, but she refuses and escapes.
After an attack by Minotaurs led by Mnevis , followed by other minions and giant cobras, Hathor rescues Horus and Bek. Horus is mistrustful of Hathor, who claims Set is also her enemy.
Bek and Horus explain their plan to infiltrate Set's pyramid, and Set warns of a guardian sphinx. Overcoming the pyramid's traps, they reach the source of Set's power.
Before they can use the divine water, Set traps them, destroying the divine water and taking Thoth's brain, but Horus saves Hathor and Bek.
Sacrificing her own safety, Hathor gives Bek her bracelet as payment for Zaya for the afterlife and calls Anubis to take him to Zaya, letting herself be dragged to the underworld.
Absorbing Thoth's brain, Osiris's heart, Horus's other eye, and wings from Nephthys , Set confronts Ra about his mistreatments, which Ra explains were tests to prepare Set for his true role: taking Ra's place aboard his solar barge as defender of the world against Apophis.
Dismayed, Set decides to destroy the afterlife to become immortal. Ra blasts him with his spear, but Set survives through his absorbed powers.
He stabs Ra, taking his spear and casting him off the barge, freeing Apophis to consume the mortal and underworld realms.
Zaya refuses Hathor's gift, not wanting an afterlife without Bek. Apophis attacks, and the gate to the afterlife is closed.
Bek returns to the mortal world, determined to stop Set and encouraging Horus that Zaya still had faith in him. Horus battles Set atop an obelisk , but is heavily outmatched.
Bek throws Urshu to his death and joins the battle on the obelisk, removing Horus' stolen eye from Set's armor, but is mortally wounded.
Sliding toward the edge of the obelisk, Bek throws the eye to Horus, who must choose either to catch it or to save Bek.
Horus reaches for Bek, apologizing for all he has put him through. As they plummet toward the ground, Horus regains his power to transform, flying Bek to safety.
Horus realizes that his true destiny was to protect his people. With renewed strength, Horus outmaneuvers and kills Set.
Finding Ra wounded in space, Horus returns his spear, allowing Ra to repel Apophis, and Anubis to reopen the gates.
A child in the crowd returns Horus' other eye and the god lays a dying Bek in Osiris's tomb beside Zaya. Ra offers to bestow Horus with any power and all Horus wants is to bring Bek and Zaya back to life.
The other gods are also revived, except Horus' parents who had already passed into the afterlife. Horus is crowned king and declares access to the afterlife will be paid with good deeds in life.
Bek is made chief advisor and gives Horus Hathor's bracelet; Horus leaves to rescue her from the underworld. The film was produced under Summit Entertainment.
Proyas was contracted by Summit in May , to write the screenplay with Sazama and Sharpless, and to direct the film.
Actor Nikolaj Coster-Waldau was cast in June The film was shot in Australia. A crew of began pre-production in Sydney in New South Wales , and producers considered filming in Melbourne in Victoria , to take advantage of the state's tax incentive.
Docklands Studios Melbourne was too booked to accommodate Gods of Egypt , and producers were instead offered an airport facility for production.
In the film, the gods in humanoid form are 9 feet 2. Proyas used forced perspective and motion control photography to portray the difference in height between the actors portraying the gods and the humans.
Proyas called the logistical challenge a "reverse Hobbit", referring to The Lord of the Rings films, in which Hobbits are depicted as shorter than humans.
For the god Thoth, who can appear as many copies, actor Chadwick Boseman was filmed hundreds of times from different angles.
For a scene with many copies of Thoth, other actors took a day to film the scene, where Boseman filmed the scene for three days.
White actors make up most of the principal cast of Gods of Egypt. When Lionsgate began marketing the film, the Associated Press said the distributor received backlash for ethnically inaccurate casting.
Lionsgate and director Alex Proyas both issued apologies. The AP said, "While some praised the preemptive mea culpa The casting practice of white actors as Egyptian characters was first reported after filming started in March , when Daily Life ' s Ruby Hamad highlighted the practice as "Hollywood whitewashing".
Some suggested that the casting of black actor Chadwick Boseman , who plays the god Thoth , played into the Magical Negro stereotype.
The previous year, the biblical epic Exodus: Gods and Kings by director Ridley Scott received similar backlash for having a white cast.
She said with the release of Aziz Ansari 's TV series Master of None in the previous week, "Whitewashed casting and the offensiveness of brownface has pretty much dominated the pop culture conversation this week.
Promotion for the movie is beginning just as we're wrapping a banner year for discussions of diversity and gender pay equity in the film industry.
When Lionsgate followed its release of posters with a release of a theatrical trailer, Scott Mendelson at Forbes said, "The implication remains that white actors, even generic white actors with zero box office draw, are preferable in terms of domestic and overseas box office than culturally-specific minority actors who actually look like the people they are supposed to be playing.
Lincoln said of the released trailer, "Casting here stands out like a sore thumb leftover from s Hollywood. I suspect this film generates a lot of conversation before it hits theaters February 26, In response to criticisms of its casting practice, director Alex Proyas and Lionsgate issued apologies in late November for not considering diversity; Lionsgate said it would strive to do better.
Mendelson of Forbes said the apologies were "a somewhat different response" than defenses made by Ridley Scott for Exodus and Joe Wright for Pan An unusual occurrence worth noting.
They want the cast that they selected and they don't want people to hold it against them that it's a white cast.
Boseman, who plays the god Thoth, commenting on the whitewashing, said he expected the backlash to happen when he saw the script.
He said, "I'm thankful that it did, because actually, I agree with it. That's why I wanted to do it, so you would see someone of African descent playing Thoth, the father of mathematics, astronomy, the god of wisdom.
I'm not even playing an Egyptian; I'm an 8-foot-tall god who turns into a falcon. A part of me just wants to freak out, but then I think, 'There's nothing you can do about it.
In the month leading up to release, director Proyas said his film was fantasy and not intended to be history.
He cited "creative license and artistic freedom of expression" to cast the actors he found to fit the roles. He said "white-washing" was a justified concern but for his fantasy film, "To exclude any one race in service of a hypothetical theory of historical accuracy He argued that the lack of English-speaking Egyptian actors, production practicalities, the studio's requirement for box office draws, and Australia having guidelines limiting "imported" actors were all factors in casting for the film.
He concluded, "I attempted to show racial diversity, black, white, Asian, as far as I was allowed, as far as I could, given the limitations I was given.
It is obviously clear that for things to change, for casting in movies to become more diverse many forces must align.
Not just the creative. To those who are offended by the decisions which were made I have already apologised. I respect their opinion, but I hope the context of the decisions is a little clearer based on my statements here.
This time of course they have bigger axes to grind — they can rip into my movie while trying to make their mainly pale asses look so politically correct by screaming 'white-wash!!!
The magazine said the film had "a strong ensemble cast" and that its director has "had a noteworthy following". BoxOffice also said the premise could attract movie-goers who saw Clash of the Titans , Wrath of the Titans , and the Percy Jackson films.
Admissions to 3D screenings would help boost Gods of Egypt ' s gross. The magazine said factors negatively affecting the film's gross were a "lackluster reaction" to its marketing and the backlash to its predominantly white cast causing negative buzz.
It anticipated that the film's release would be front-loaded focused on profiting mainly from opening weekend due to the poor buzz, its categorization as a fantasy film, and with London Has Fallen opening the following weekend.
He said the film could attract Alex Proyas's fan base but that it had suffered "some negativity out there" due to the predominantly white casting as well as the film being perceived to have an "old-fashioned" feel.
Exhibitor Relations senior media analyst Jeff Bock said the film "feels late" years after the release of and Immortals , and an earlier production and release would have been more advantageous.
Ryan Faughnder of the Los Angeles Times said in the week before the film's release that the expected opening weekend gross meant that Lionsgate's plans to make Gods of Egypt the first film in a new franchise were unlikely.
Faughnder said the film would need to perform strongly in territories outside the United States and Canada for a sequel to be developed.
Lionsgate released Gods of Egypt in theaters globally starting on February 25 , In the United States and Canada, the film was released in 3, theaters.
Outside North America, the film got a staggered release. Le Vision Pictures acquired rights from Lionsgate in November to distribute Gods of Egypt in China,  and released the film there on March 11 , Gods of Egypt was panned by critics.
Alonso Duralde of TheWrap wrote, "A mishmash of unconvincing visual effects and clumsy writing—not to mention another depiction of ancient Egypt in which the lead roles are almost all played by white folks— Gods of Egypt might have merited a so-bad-it's-good schadenfreude fanbase had it maintained the unintentional laughs of its first 10 minutes.
Instead, it skids into dullness, thus negating the camp classic that it so often verges on becoming. But this bloated enterprise is so tiresome by the end, it seems more likely headed for a long rest somewhere in the cinematic afterlife.
Club called Gods of Egypt "overlong and very silly," and said: "A treasure trove of gilded fantasy bric-a-brac and clashing accents, Proyas' sword-and-sandals space opera is a head above the likes of Wrath of the Titans , but it rapidly devolves into a tedious and repetitive succession of monster chases, booby traps, and temples that start to crumble at the last minute.
Jordan Hoffman of The Guardian said, "This is ridiculous. This is offensive. This shouldn't be, and I'm not going to say otherwise if you can't bring yourself to buy a ticket for this movie.
But if you are on the fence you can always offset your karmic footprint with a donation to a charity, because this movie is a tremendous amount of fun.
In response to the reviews, director Proyas posted to Facebook calling critics "diseased vultures pecking at the bones of a dying carcass", who were "trying to peck to the rhythm of the consensus.
I applaud any film-goer who values their own opinion enough to not base it on what the pack-mentality says is good or bad.
From Wikipedia, the free encyclopedia. Theatrical release poster. Basil Iwanyk Alex Proyas. Matt Sazama Burk Sharpless. United States Australia .
Emma Booth as Nephthys , the Goddess of Protection. Alexander England as the voice and motion capture of Mnevis , the leader of the Egyptian Minotaurs that work for Set.
It is inspired by Egyptian mythology, but it makes no attempt at historical accuracy because that would be pointless — none of the events in the movie ever really happened.
It is about as reality-based as Star Wars — which is not real at all Maybe one day if I get to make further chapters I will reveal the context of the when and where of the story.
But one thing is for sure — it is not set in Ancient Egypt at all. See also: Whitewashing in film. British Board of Film Classification.